Gaga and Doechii debut “RUNWAY,” a bold fashion anthem for “Devil Wears Prada 2.”
Lady Gaga and Doechii have officially entered their couture era together, and they’re doing it in sync. The Grammy winners debut their first collaboration, “RUNWAY,” a fashion-fueled anthem that doubles as the lead track from the upcoming The Devil Wears Prada 2 soundtrack.
Released April 27 alongside a striking visual directed by Parris Goebel, the song wastes no time setting its tone. The video opens with Gaga and Doechii stitched into a single oversized red blazer, a surreal image that quickly gives way to a mantra fit for any catwalk: “No matter what, no matter what/ You got to strut.”
From there, the clip leans fully into fantasy. Think powdered wigs, sculptural gowns, and makeup that feels pulled from a gallery installation. The two trade verses and poses as the camera follows them through a world that blends ballroom energy with editorial fashion spreads.
A Runway Built for Two
Gaga leads with a declaration that reads like a mission statement:
“Walk, I’m feeling fab/ I’m feeling free, I feel exceptionally me/ Hate all you want, but I’m dangerous…”
Doechii meets her with a verse that feels just as self-assured, sliding into the beat with:
“Yes, serve a little sass/ Yes, with a little side of ass/ Yes, got the front row screaming…”
By the time they unite on the chorus, the message is clear, the dance floor is theirs to command. The track closes with a chant that feels destined for live shows:
“Pose/ I ain’t scared of no cameras/ Born for the runway…”
The visual mirrors that confidence. Custom looks from designers including LUAR, Robert Wun, and Gaurav Gupta rotate quickly, with each outfit pushing the concept further. Matching Thom Solo opera platforms anchor several scenes, while a red crocodile heel moment gives Gaga one of the video’s sharpest visual beats.
A Stylish Nod to a Cult Classic
“RUNWAY” is deeply tied to the world of The Devil Wears Prada 2. The video slips in references to the fictional magazine that defines the franchise, including a quick shot of a “Runway” cover featuring Emily Blunt’s character, Emily Charlton.
The sequel reunites Blunt with original cast members Meryl Streep, Anne Hathaway, and Stanley Tucci, with director David Frankel and writer Aline Brosh McKenna also returning. This time, the story centers on Miranda Priestly navigating a shifting media landscape, where print is fading and power dynamics have changed. Emily, once her assistant, now holds influence, and the advertising dollars Priestly needs.
The film arrives May 1, with Gaga also making a cameo appearance.
From Mutual Admiration to Collaboration
The pairing didn’t come out of nowhere. Gaga has been vocal about her admiration for Doechii, previously telling British Vogue, “You don’t often see someone come out of the gate with a pen that feels immediately legendary.” She added that Doechii’s “raw, deeply personal perspective” left a lasting impression.
Doechii’s reaction was just as candid. “I’m the biggest Lady Gaga fan,” she said, recalling that she “audibly gasped” when she heard the praise. “For a legend like that to say that about me, it really, really validated me in a humbling way.”
Their chemistry here suggests that admiration translated easily into the studio.
Early Numbers and What’s Next
“RUNWAY” is already gaining traction. The track opened with more than 16.2 million unfiltered streams on Spotify globally, landing at No. 32 on the platform’s global chart. In the U.S., it debuted at No. 25 with over 727,000 streams.
Behind the scenes, the song brings together a heavyweight lineup of writers and producers, including Andrew Watt, Bruno Mars, Cirkut, and Dernst “D’Mile” Emile II.
For Gaga, the release follows her recent Mayhem Ball Tour, while Doechii continues a rapid ascent that has made her one of the most watched artists in pop and hip-hop.
With “RUNWAY,” the two come together to create a cohesive and melodic masterpiece. One where fashion, music, and performance blur into something truly special that I’ll be thinking about and revisiting for time to come.
And if the final chant is any indication, they’re not asking for permission to take that space.
They were “born for the runway.”
